Cutting-Edge Human Rights & the Arts Program Offers Students from Conflict Zones a Path to Art-Making
Human Rights and the Arts student Carol Montealgre (left) pictured at a performance by Palestine Hosting Society. Photo by Mirna Bamieh.
“The idea was to create a space in which both the artists and activists could be together and co-create,” says Tania El Khoury, a performance artist and the Director of CHRA. “It was important to create an institution that really practices its politics. How can we build a space that puts people’s well-being first? How can we be in solidarity with people from around the world and understand inequality together?”
“I was applying to programs in Europe because I knew I couldn’t afford an expensive program [in the States],” says Carol Montealgre, an artist from Bogotá, Colombia working in performance, installation, and video and who just graduated from the program. “I had a friend who recommended the Center but I wasn’t applying because of the money, but he told me, ‘They got funding from OSUN, they have scholarships, stipends.’ Those were the magic words.”
Through the Ruins: Talks on Human Rights and the Arts 1

The Center for Human Rights and the Arts first published volume, Through the Ruins: Talks on Human Rights and the Arts 1, is now available.
Post Date: 06-09-2023